Fundaci\u00f3n del Nuevo Cine Latinoamericano<\/em>. \u00c9 autor do livro \u201cCinema Latino-americano e Suas Novas Tecnologias Audiovisuais\u201d. Doutor em Comunica\u00e7\u00e3o pela Universidad Nacional de la Plata, foi bolsista na Universidade do Texas e na Universidade de Calgary (Canad\u00e1). Constituiu o Observat\u00f3rio del Cine y el Audiovisual Latinoamericano e o Observatorio del Mercosur Audiovisual dentro do INCAA. \u00c9 a refer\u00eancia latino-americana para o Observat\u00f3rio Europeu de Audiovisual (parte integral do Festival de Cannes).<\/p>\nAl\u00e9m da palestra de Gonz\u00e1lez, que acontecer\u00e1 \u00e0s 19h30, ser\u00e3o exibidos os curtas-metragens \u201cProfessor Godoy\u201d, \u201cHattari\u201d e \u201cO Homem na Neblina\u201d a partir das 17h, seguida de bate-papo com os diretores e ex-alunos da AIC, Gui Ashcar e Andr\u00e9 Neves, da Locomotiva Filmes.<\/p>\n
\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Quinta, 7\/02 (Convidado Internacional)<\/h6>\n 17h \u2013 Exibi\u00e7\u00e3o dos filmes \u201cProfessor Godoy\u201d, \u201cHattari\u201d e \u201cO Homem na Neblina\u201d \n17h30 \u2013 Bate-papo com os diretores e ex-alunos Gui Ashcar e Andr\u00e9 Neves \nTema: \u201cVida e Carreira no Cinema e no Audiovisual\u201d \n19h30 \u2013 Palestra com Roque Gonz\u00e1lez \nTema: \u201cO Mercado Latino-americano de Curtas-metragens: Tecnologias, Tend\u00eancias e Debates\u201d.<\/p>\n\n","protected":false},"excerpt":{"rendered":"
O consultor e pesquisador argentino Roque Gonz\u00e1lez estar\u00e1 na AIC no pr\u00f3ximo dia 7, para encerrar o ciclo de palestras da Semana de Orienta\u00e7\u00e3o 2013. Ele falar\u00e1 sobre o mercado latino-americano de curtas-metragens: tecnologias, tend\u00eancias e debates. Roque Gonz\u00e1lez trabalha como consultor no INCAA (a Ancine da Argentina) e na Fundaci\u00f3n del Nuevo Cine Latinoamericano.<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6205","post","type-post","status-publish","format-standard","hentry","category-sem-categoria"],"acf":[],"yoast_head":"\n
Roque Gonz\u00e1lez, na AIC, no dia 7\/02 - Academia Internacional de Cinema (AIC)<\/title>\n \n \n \n \n \n \n \n \n \n \n \n \n \n\t \n\t \n\t \n