{"id":30960,"date":"2025-02-07T14:54:25","date_gmt":"2025-02-07T17:54:25","guid":{"rendered":"https:\/\/www.aicinema.com.br\/?p=30960"},"modified":"2025-02-07T16:47:14","modified_gmt":"2025-02-07T19:47:14","slug":"semana-de-orientacao-2025","status":"publish","type":"post","link":"https:\/\/www.aicinema.com.br\/semana-de-orientacao-2025\/","title":{"rendered":"Semana de Orienta\u00e7\u00e3o 2025"},"content":{"rendered":"<p><span data-contrast=\"none\">O ano letivo est\u00e1 prestes a come\u00e7ar, e como j\u00e1 \u00e9 tradi\u00e7\u00e3o, a Academia Internacional de Cinema (AIC) abre o calend\u00e1rio letivo com a Semana de Orienta\u00e7\u00e3o. Em sua 19\u00aa edi\u00e7\u00e3o, o evento discute o processo criativo de profissionais do audiovisual, com bate-papos e exibi\u00e7\u00e3o de filmes entre os dias 17 e 20 de fevereiro.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Nesta edi\u00e7\u00e3o, a escola recebe o ator Antonio Saboia, as diretoras Sabrina Fidalgo e Viviane Ferreira, e o diretor de fotografia Adrian Teijido.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Confira a programa\u00e7\u00e3o completa do evento, conhe\u00e7a os convidados e fa\u00e7a sua inscri\u00e7\u00e3o ao <strong>final da mat\u00e9ria<\/strong>.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<h1><b><span data-contrast=\"auto\">Programa\u00e7\u00e3o Completa e Convidados<\/span><\/b><\/h1>\n<p>&nbsp;<\/p>\n<h2><b><span data-contrast=\"auto\">Dia 17\/02 &#8211; Antonio Saboia<\/span><\/b><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/h2>\n<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-list-defn-props=\"{&quot;335552541&quot;:1,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" aria-setsize=\"-1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><b><span data-contrast=\"auto\">17h<\/span><\/b><span data-contrast=\"auto\">: Exibi\u00e7\u00e3o do filme <\/span><i><span data-contrast=\"auto\">Deserto Particular<\/span><\/i><span data-contrast=\"auto\">, de Aly Muritiba (2h)<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:300}\">\u00a0<\/span><\/li>\n<\/ul>\n<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"1\" data-list-defn-props=\"{&quot;335552541&quot;:1,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" aria-setsize=\"-1\" data-aria-posinset=\"2\" data-aria-level=\"1\"><b><span data-contrast=\"auto\">19h30<\/span><\/b><span data-contrast=\"auto\">: Bate-papo com Antonio Saboia<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:300}\">\u00a0<\/span><\/li>\n<\/ul>\n<p><span data-contrast=\"auto\">Antonio Saboia, ator franco-maranhense, estudou teatro na Webber Douglas Academy of Dramatic Art. Com mais de 14 filmes no curr\u00edculo, incluindo <\/span><i><span data-contrast=\"auto\">Ainda Estou Aqui<\/span><\/i><span data-contrast=\"auto\"> (Walter Salles), que segue em cartaz nos cinemas com mais de 4 milh\u00f5es de espectadores no Brasil. Antonio ganhou pr\u00eamios de melhor atua\u00e7\u00e3o por <\/span><i><span data-contrast=\"auto\">Deserto Particular<\/span><\/i><span data-contrast=\"auto\"> (Aly Muritiba), <\/span><i><span data-contrast=\"auto\">\u00d3rbitas da \u00c1gua<\/span><\/i><span data-contrast=\"auto\"> (Susanna Lira) e de ator coadjuvante em <\/span><i><span data-contrast=\"auto\">Lamparina da Aurora<\/span><\/i><span data-contrast=\"auto\"> (Frederico Machado).<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Entre outros grandes filmes com a participa\u00e7\u00e3o de Antonio est\u00e3o <\/span><i><span data-contrast=\"auto\">Bacurau<\/span><\/i><span data-contrast=\"auto\"> (Kleber Mendon\u00e7a), <\/span><i><span data-contrast=\"auto\">Os \u00daltimos Dias de Gilda<\/span><\/i><span data-contrast=\"auto\"> (Gustavo Pizzi), <\/span><i><span data-contrast=\"auto\">O Lobo Atr\u00e1s da Porta<\/span><\/i><span data-contrast=\"auto\"> (Fernando Coimbra), <\/span><i><span data-contrast=\"auto\">O Mecanismo<\/span><\/i><span data-contrast=\"auto\"> (Jos\u00e9 Padilha), <\/span><i><span data-contrast=\"auto\">Rotas do \u00d3dio<\/span><\/i><span data-contrast=\"auto\"> (Susanna Lira) e <\/span><i><span data-contrast=\"auto\">Felizes para Sempre?<\/span><\/i><span data-contrast=\"auto\"> (Fernando Meirelles).<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/p>\n<h2><b><span data-contrast=\"auto\">Dia 18\/02 &#8211; Sabrina Fidalgo<\/span><\/b><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/h2>\n<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"2\" data-list-defn-props=\"{&quot;335552541&quot;:1,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" aria-setsize=\"-1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><b><span data-contrast=\"auto\">18h<\/span><\/b><span data-contrast=\"auto\">: Exibi\u00e7\u00e3o dos filmes <\/span><i><span data-contrast=\"auto\">Rainha<\/span><\/i><span data-contrast=\"auto\"> (31&#8242;) e <\/span><i><span data-contrast=\"auto\">Alfazema<\/span><\/i><span data-contrast=\"auto\"> (24&#8242;), de Sabrina Fidalgo<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:300}\">\u00a0<\/span><\/li>\n<\/ul>\n<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"2\" data-list-defn-props=\"{&quot;335552541&quot;:1,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" aria-setsize=\"-1\" data-aria-posinset=\"2\" data-aria-level=\"1\"><b><span data-contrast=\"auto\">19h30<\/span><\/b><span data-contrast=\"auto\">: Bate-papo com a diretora Sabrina Fidalgo<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:300}\">\u00a0<\/span><\/li>\n<\/ul>\n<p><span data-contrast=\"auto\">Sabrina Fidalgo, capa da revista Veja SP e considerada uma das &#8220;diretoras de um novo tempo&#8221; no cinema nacional. Multipremiada diretora de cinema, roteirista e artista visual brasileira. Em 2018, foi nomeada pela publica\u00e7\u00e3o norte-americana BUSTLE como uma das &#8220;36 Female Filmmakers Across the Globe Who Are Breaking Ground In Their Own Country&#8221;. Estudou artes c\u00eanicas na UNI-RIO, cinema na Escola de TV e Cinema de Munique (Alemanha) e foi bolsista na Universidad de C\u00f3rdoba, na Espanha.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Seus filmes de curta e m\u00e9dia-metragem j\u00e1 foram exibidos em mais de 300 festivais ao redor do mundo. O m\u00e9dia <\/span><i><span data-contrast=\"auto\">Rainha<\/span><\/i><span data-contrast=\"auto\"> (2016) ganhou mais de 30 pr\u00eamios e foi selecionado no Rotterdam International Film Festival. Seu curta <\/span><i><span data-contrast=\"auto\">Alfazema<\/span><\/i><span data-contrast=\"auto\"> (2019) ganhou o trof\u00e9u de Melhor Filme do J\u00fari Popular no 29\u00ba Festival Internacional de Curtas-Metragens do Rio de Janeiro, entre outros pr\u00eamios.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Sabrina Fidalgo explora quest\u00f5es \u00e9tnico-raciais e de g\u00eanero, criando novas subjetividades atrav\u00e9s de sua arte, com foco em iconografias de corpos racializados. Seus pr\u00f3ximos projetos incluem o document\u00e1rio <\/span><i><span data-contrast=\"none\">Time to Change<\/span><\/i><span data-contrast=\"none\"> e o longa-metragem de fic\u00e7\u00e3o <\/span><i><span data-contrast=\"none\">Karnaval<\/span><\/i><span data-contrast=\"none\">. Desde 2021, ela tamb\u00e9m \u00e9 colunista digital da revista Vogue Brasil.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/p>\n<h2><b><span data-contrast=\"auto\">Dia 19\/02 &#8211;\u00a0 Viviane Ferreira<\/span><\/b><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/h2>\n<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"3\" data-list-defn-props=\"{&quot;335552541&quot;:1,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" aria-setsize=\"-1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><b><span data-contrast=\"auto\">17h30<\/span><\/b><span data-contrast=\"auto\">: Exibi\u00e7\u00e3o de <\/span><i><span data-contrast=\"auto\">Um Dia com Jerusa<\/span><\/i><span data-contrast=\"auto\"> (74 min)<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:300}\">\u00a0<\/span><\/li>\n<\/ul>\n<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"3\" data-list-defn-props=\"{&quot;335552541&quot;:1,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" aria-setsize=\"-1\" data-aria-posinset=\"2\" data-aria-level=\"1\"><b><span data-contrast=\"auto\">19h30<\/span><\/b><span data-contrast=\"auto\">: Bate-papo com Viviane Ferreira<\/span><br \/>\n<span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:300}\">\u00a0<\/span><\/li>\n<\/ul>\n<p><span data-contrast=\"auto\">Viviane Ferreira \u00e9 diretora e roteirista, respons\u00e1vel pelos longas <\/span><i><span data-contrast=\"auto\">Um Dia Com Jerusa<\/span><\/i><span data-contrast=\"auto\"> (2020), <\/span><i><span data-contrast=\"auto\">\u00d3 Pai \u00d3 2<\/span><\/i><span data-contrast=\"auto\"> (2023), al\u00e9m do document\u00e1rio imersivo <\/span><i><span data-contrast=\"auto\">Afrolatinas: 30 anos em Movimentos<\/span><\/i><span data-contrast=\"auto\"> (2024). Codirigiu o longa <\/span><i><span data-contrast=\"auto\">Pessoas: contar para viver<\/span><\/i><span data-contrast=\"auto\"> (2019) e dirigiu diversos videoclipes e curtas-metragens. \u00c9 presidente do Instituto Audiovisual Mulheres de Odun e s\u00f3cia-fundadora da Odun Filmes. Foi diretora-presidente da SPCINE (2021-2023) e presidente da APAN &#8211; <\/span><span data-contrast=\"auto\">Associa\u00e7\u00e3o dos Profissionais Negros do Audiovisual (2016-2021), presidente do Comit\u00ea de Sele\u00e7\u00e3o do filme representante do Brasil no Oscar 2021, e diretora art\u00edstica do &#8220;Encontro Z\u00f3zimo Bulbul de Cinema Negro \u2013 Brasil, \u00c1frica, Caribe e Outras Di\u00e1sporas (2019-2020)&#8221;.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/p>\n<h2><b><span data-contrast=\"auto\">Dia 20\/02 &#8211;\u00a0 Adrian Teijido<\/span><\/b><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/h2>\n<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"4\" data-list-defn-props=\"{&quot;335552541&quot;:1,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" aria-setsize=\"-1\" data-aria-posinset=\"1\" data-aria-level=\"1\"><b><span data-contrast=\"auto\">17h30<\/span><\/b><span data-contrast=\"auto\">: Exibi\u00e7\u00e3o do longa <\/span><i><span data-contrast=\"auto\">O Rio do Desejo<\/span><\/i><span data-contrast=\"auto\"> (1h47m)<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:300}\">\u00a0<\/span><\/li>\n<\/ul>\n<ul>\n<li data-leveltext=\"\uf0b7\" data-font=\"Symbol\" data-listid=\"4\" data-list-defn-props=\"{&quot;335552541&quot;:1,&quot;335559685&quot;:720,&quot;335559991&quot;:360,&quot;469769226&quot;:&quot;Symbol&quot;,&quot;469769242&quot;:[8226],&quot;469777803&quot;:&quot;left&quot;,&quot;469777804&quot;:&quot;\uf0b7&quot;,&quot;469777815&quot;:&quot;hybridMultilevel&quot;}\" aria-setsize=\"-1\" data-aria-posinset=\"2\" data-aria-level=\"1\"><b><span data-contrast=\"auto\">19h30<\/span><\/b><span data-contrast=\"auto\">: Bate-papo com Adrian Teijido<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:300}\">\u00a0<\/span><\/li>\n<\/ul>\n<p><span data-contrast=\"auto\">Adrian Teijido, nascido em Buenos Aires e naturalizado brasileiro, \u00e9 diretor de fotografia de grandes sucessos do cinema nacional, como <\/span><i><span data-contrast=\"auto\">Ainda Estou Aqui (Walter Salles)<\/span><\/i><span data-contrast=\"auto\">, <\/span><i><span data-contrast=\"auto\">Rio do Desejo<\/span><\/i><span data-contrast=\"auto\"> (Sergio Machado), <\/span><i><span data-contrast=\"auto\">Marighella<\/span><\/i><span data-contrast=\"auto\"> (Wagner Moura), <\/span><i><span data-contrast=\"auto\">O Palha\u00e7o<\/span><\/i><span data-contrast=\"auto\"> (Selton Mello), <\/span><i><span data-contrast=\"auto\">Gonzaga de Pai para Filho<\/span><\/i><span data-contrast=\"auto\"> (Breno Silveira), <\/span><i><span data-contrast=\"auto\">Elis<\/span><\/i><span data-contrast=\"auto\"> (Hugo Prata), <\/span><i><span data-contrast=\"auto\">Narcos<\/span><\/i><span data-contrast=\"auto\">, entre outros. Recebeu diversos pr\u00eamios, incluindo o Grande Pr\u00eamio do Cinema Brasileiro e o Pr\u00eamio ABC de Cinematografia.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335559738&quot;:210,&quot;335559739&quot;:210,&quot;335559740&quot;:300}\">\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/materiais.aicinema.com.br\/semana-orientacao-2025\"><img decoding=\"async\" class=\"aligncenter wp-image-30165 size-full\" src=\"https:\/\/www.aicinema.com.br\/wp-content\/uploads\/2024\/07\/ibota\u0303o-inscreva-se.jpg\" alt=\"\" width=\"320\" height=\"100\" \/><\/a><\/p>\n<p><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335557856&quot;:16777215,&quot;335559738&quot;:0,&quot;335559739&quot;:0}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>O ano letivo est\u00e1 prestes a come\u00e7ar, e como j\u00e1 \u00e9 tradi\u00e7\u00e3o, a Academia Internacional de Cinema (AIC) abre o calend\u00e1rio letivo com a Semana de Orienta\u00e7\u00e3o. Em sua 19\u00aa edi\u00e7\u00e3o, o evento discute o processo criativo de profissionais do audiovisual, com bate-papos e exibi\u00e7\u00e3o de filmes entre os dias 17 e 20 de fevereiro.\u00a0<\/p>\n","protected":false},"author":2070,"featured_media":30963,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[521,305],"tags":[],"class_list":["post-30960","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dicas-profissionais","category-o-que-rolou-na-aic","areacinema-arte","areacinema-atuacao","areacinema-cinema-completo","areacinema-direcao","areacinema-documentario","areacinema-edicao","areacinema-fotografia","areacinema-producao","areacinema-roteiro","areacinema-som"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Semana de Orienta\u00e7\u00e3o 2025 - Academia Internacional de Cinema (AIC)<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.aicinema.com.br\/semana-de-orientacao-2025\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Semana de Orienta\u00e7\u00e3o 2025 - Academia Internacional de Cinema (AIC)\" \/>\n<meta property=\"og:description\" content=\"O ano letivo est\u00e1 prestes a come\u00e7ar, e como j\u00e1 \u00e9 tradi\u00e7\u00e3o, a Academia Internacional de Cinema (AIC) abre o calend\u00e1rio letivo com a Semana de Orienta\u00e7\u00e3o. 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