\u201cNua e Crua\u201d<\/a>\u00a0<\/strong>(Ricardo Gelli, Camila dos Anjos)<\/p>\nRapaz convida sua ex-namorada para um sexo casual.<\/p>\n
N\u00e3o indicado para menores de 16 anos<\/em><\/p>\n <\/p>\n
ENTRADA FRANCA<\/em><\/span><\/span><\/div>\n<\/div>\n
CINEMATECA BRASILEIRA<\/strong><\/span><\/span><\/div>\nLargo Senador Raul Cardoso, 207<\/span><\/span><\/div>\npr\u00f3ximo ao Metr\u00f4 Vila Mariana<\/span><\/span><\/div>\n \n<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"O projeto CURTA CINEMATECA ESPECIAL \u00e9 dedicado \u00e0 proje\u00e7\u00e3o de curtas-metragens de novos realizadores brasileiros, entre os filmes que ser\u00e3o exibidos neste m\u00eas, est\u00e3o dois filmes que contam com a participa\u00e7\u00e3o de Samir Cheida, professor do FILMWORKS. \u201cA Florista do Outro Lado da Pra\u00e7a” \u00e9 um filme de Guga Caldas, produzido, codirigido e montado por<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2875","post","type-post","status-publish","format-standard","hentry","category-sem-categoria","areacinema-cinema-completo","areacinema-edicao"],"acf":[],"yoast_head":"\n
Filmes do professor Samir Cheida estreiam na Cinemateca no dia 22 - Academia Internacional de Cinema (AIC)<\/title>\n \n \n \n \n \n \n \n \n \n \n \n \n \n\t \n\t \n\t \n